Published for the first time in paperback, this best selling book shows London as represented by Edward Bawden (1903 - 1989) in prints, posters, drawings, paintings, murals and advertising material produced during his long career. The wide range of illustrations includes early work executed whilst a student in the early 1920s; the Morley College murals carried out in partnership with Eric Ravilious; advertising work for London Transport, Fortnum & Mason, Twinings Teas, Shell, Westminster Bank; the mural for the Lion & Unicorn Pavilion at the 1951 Festival of Britain; and a varied selection of his finest series of linocuts - including London Monuments and London Markets.

Does Information Technology matter? This book argues that even as Information Technology hardware, software, data and associated processes are becoming more of a commodity, it has never been more important to manage Information Technology as a strategic asset. However, managing Information Technology as a strategic asset is notoriously difficult, as is studying the impact of Information Technology on firm performance. This book sets out to identify, explain and critically evaluate current research in this area. A unique feature of this book is the use of economic theory to explain management theory and its consequences in professional practice. Beginning with a thorough introduction to Schumpeterian economic theory, the authors re-cast the pre-eminent theory in strategic management research (the Resource Based View) in the light of a Schumpeterian analysis and identify Dynamic Capabilities as an extension of, but also a radical departure from, RBV. The role of Information Technology as an endogenous technology is discussed and it is argued that how we define Information Technology determines not only how we study it but also how we use it and benefit from it. The book is aimed primarily at the academic research market, but should also be of some interest to managers. It is useful more specifically for all those studying business, Information Technology, strategy, management and innovation.

Does Information Technology matter? This book argues that even as Information Technology hardware, software, data and associated processes are becoming more of a commodity, it has never been more important to manage Information Technology as a strategic asset. However, managing Information Technology as a strategic asset is notoriously difficult, as is studying the impact of Information Technology on firm performance. This book sets out to identify, explain and critically evaluate current research in this area. A unique feature of this book is the use of economic theory to explain management theory and its consequences in professional practice. Beginning with a thorough introduction to Schumpeterian economic theory, the authors re-cast the pre-eminent theory in strategic management research (the Resource Based View) in the light of a Schumpeterian analysis and identify Dynamic Capabilities as an extension of, but also a radical departure from, RBV. The role of Information Technology as an endogenous technology is discussed and it is argued that how we define Information Technology determines not only how we study it but also how we use it and benefit from it. The book is aimed primarily at the academic research market, but should also be of some interest to managers. It is useful more specifically for all those studying business, Information Technology, strategy, management and innovation.

Edward Bawden (1903-1989) was one of twentieth century Britain's most innovative graphic designers. Book illustrator, wallpaper, textile and poster designer, watercolourist, mural painter, teacher. His designs still resonate strongly with young designers more than a quarter-of-a-century after his death. Bawden's influence on 20th-century design is beyond measure. Edward Bawden: Design is the newest title in ACC's award-winning Design series and an excellent introduction to the work of Edward Bawden. This fascinating book illustrates every aspect of his creativity, and is beautifully illustrated throughout.

The brothers Paul and John Nash, in their very different ways, were a major influence on twentieth century British design. Paul Nash (1889-1946) is now recognised as the most significant war artist of the last century; John Nash (1893-1977) as a plantsman artist. Both worked as designers and as tutors at the Royal College of Art, Paul encouraging a generation of designer artists that included Eric Ravilious, Edward Bawden and Enid Marx. As a committee member of the Design and Industries Association and President of the newly formed Society of Industrial Artists (now the Chartered Society of Designers) Paul promoted design as no less an art form than the fine arts of painting and sculpture. His clients included London Transport, Shell and Curwen Press and publishers the Nonesuch and Golden Cockerel Presses. John became well known for his Edward Lear influenced humorous illustrations and his superb plant drawings and wood engravings that illustrate innumerable books and publications. Paul Nash and

Social policy and human geography are intimately intertwined yet frequently disconnected fields. Whilst social policies are always conceived, implemented and experienced in and through geography, the role of place in social policy scholarship and practice is frequently overlooked. Bringing together experts from both fields, this collection illuminates the myriad of ways that human geography offers rich insights conceptually, empirically and methodologically into the neglected spatialities of policy scholarship, practice and experience. By building the necessary bridges towards a spatial social policy, this book enables the enhanced design, performance and understanding of social policies once properly rooted in their multiple spatialities.

Claud Lovat Fraser - universally known as Lovat - is one of the great unsung heroes of twentieth-century British design. During his short life of just thirty-one years, five of which were disrupted by the Great War, he achieved an astonishing amount of work as draughtsman, watercolourist, caricaturist, publisher, illustrator, designer of stage-sets, toys and fabrics: he also designed silks for Liberty's, cretonnes for Foxton's, advertising material for Eno's, MacFisheries, Gurr Johns and Atkinson's, and book-jackets for Heinemann and Nelson, among others. His inimitable style and psychedelic palette became the hallmark of both the Curwen Press and the Poetry Bookshop, but he is best remembered today, by those who are aware of him at all, for his poster, costume and set-designs for Nigel Playfair's 1920 production of 'The Beggar's Opera' at the Lyric Theatre, Hammersmith.

F.H.K Henrion was one of a distinguished group of graphic designers - refugees from Europe just prior to World War-II, who brought cutting-edge continental design to the rather parochial English scene. He quickly made his mark as a poster designer for the Ministry of Information, and, parallel to this, began to build up a career in exhibition design, culminating in two highly original pavilions for the Festival of Britain. However, Henrion is best remembered for his evangelical work in corporate identity design whereby he raised the status of the graphic designer to boardroom significance. He established the authority of the profession as total re-branders of organizations, from logo, through retail outlets and vehicles, to stationery and labels. "The Design Series" is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: 'A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb'.

An excellent introduction to the work of two British designers Edward Bawden (1903-1989) and Eric Ravilious (1903-1942). This fascinating book illustrates every aspect of their creativity, featuring designs for wallpaper, posters, book jackets, trade cards and Wedgwood ceramics, to name but a few. Design opens with an informed and engaging essay by Peyton Skipwith, who, from the late 1960s, acted as Edward Bawden's principal dealer. Bawden and Ravilious both attended the Design School of the Royal College of Art. It was here that they met and started to experiment with print-making - marking the beginning of an extremely creative but tragically short-lived friendship. Ravilious was killed at the age of thirty-nine in an air-sea rescue mission during the Second World War; Edward Bawden survived him by forty-six years. ' Exquisite ...Design is a treat ' - Sunday Telegraph ' A neat little scrapbook ...beautifully laid out ' - Antiques Magazine

The finest books produced during the quarter century prior to the outbreak of the Great War were almost invariably printed by the private presses, but post-war, with the development of new technology, the accolade of excellence passed into the hands of a small number of commercial firms, with the Curwen Press very much to the fore. Like those earlier printers, Harold Curwen was inspired by the Morrisian ideal, but he did not adhere to the tenet that 'hand made' was necessarily better than 'machine made', which led him to become one of the pioneering figures in the technical revolution that transformed the printing industry. Harold Curwen joined the family firm in 1908 and by 1916 had instigated a general replanning of the works and, aided by the wartime staff shortage, felt able to push ahead with the installation of modern machinery. He was in the forefront of the development of offset lithography, which ensured that the Curwen Press would be in the vanguard of fine colour printing throughout the next decade. Harold also pioneered, as far as England was concerned, the pochoir technique of hand-stencilling. 1922, was the beginning of the Curwen Press' golden decade, during which it produced "The Woodcutter's Dog", the English language edition of Julius Meier-Graefe's two volume biography of Van Gogh for the "Medici Society", the exhibition catalogue of books and manuscripts for "The First Edition Club", Goldoni's "Four Comedies" and the delightful little pocket engagement book, "The Four Seasons", illustrated by Albert Rutherston. Rutherston was later to illustrate Thomas Hardy's Yuletide in a "Younger World", the first of the Ariel Poems for Faber & Gwyer which were to become a feature of the collaboration between the two firms. In addition there was the 'Safety First' Calendar, adorned with Lovat Fraser's cautionary illustrations. Following restructuring in 1933, the Curwen Press had a further forty years of distinguished work ahead both in the printing of books, particularly those illustrated by Barnett Freedman, as well as jobbing work, including some of the finest posters for the London Underground by Bawden, Wadsworth, John Banting, Betty Swanwick, Barnett Freedman and others. "E. McKnight Kauffer, Design" contains over 150 illustrations, many from original artworks, and work not before reproduced. With descriptions by Brian Webb and an introductory essay by Peyton Skipwith. The "Design" series is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: 'A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb.'

Social policy and human geography are intimately intertwined yet frequently disconnected fields. Whilst social policies are always conceived, implemented and experienced in and through geography, the role of place in social policy scholarship and practice is frequently overlooked. Bringing together experts from both fields, this collection illuminates the myriad of ways that human geography offers rich insights conceptually, empirically and methodologically into the neglected spatialities of policy scholarship, practice and experience. By building the necessary bridges towards a spatial social policy, this book enables the enhanced design, performance and understanding of social policies once properly rooted in their multiple spatialities.

Edward McKnight Kauffer (1890-1954) was the most celebrated graphic designer working in Britain in the twentieth century. Born in Montana, he left America before the first world war to travel throughout Europe absorbing the influences of the Cubists and the German poster artist Ludwig Hohlwein. At the onset of war he settled in London. Seeing himself as a painter, he allied himself with the London Group and the Vorticists. He worked at Roger Fry's Omega Workshops with Vanessa Bell and Duncan Grant, and in 1915 was commissioned by Frank Pick, then the publicity manager at London Underground. This was the beginning of a client-designer relationship that lasted throughout the 1920s and '30s, only ending when Kauffer returned to New York in 1940. His posters, brilliantly coloured and strikingly modern, struck London like a Cubist thunderbolt. Soon other clients, Jack Beddington at Shell, Sir Colin Anderson at the Orient Shipping line, the Daily Herald (the instantly recognisable Birds in Flight pos

This new title in the highly-successful "Design Series" features the design work of the acclaimed artist Peter Blake. Best known of the British pop artists, Peter Blake came to fame in the late 1950s and early 1960s with iconic works like "On the Balcony" and "First Real Target" both now in the Tate Gallery. Tate held an exhibition of his works in 1983 as well as a more recent retrospective at Tate Liverpool in 2007. His famous works for album covers, such as "The Beatles Sgt. Pepper's Lonely Hearts Club Band", the Band Aid single "Do They Know Its Christmas", the Oasis greatest hits album "Stop the Clocks" and Paul Weller's "Stanley Road" brought him to a wider audience. This stunningly designed book celebrates the brilliant creative talent of a unique British artist. "The Design Series" is the winner of the Brand/Series Identity Category at the British Book Design and Production Awards 2009, judges said: 'A series of books about design, they had to be good and these are. The branding is consistent, there is a good use of typography and the covers are superb'.

To the interested observer the collected volumes of artist-designer Eric Ravilious's preparatory works and materials provide a veritable mine of information about his work and working methods, particularly regarding the masterful development of his signature pure pattern. Ravilious's scrapbooks represent a conscious accumulation of reference material, revealing his interest in subjects as diverse as tennis, cricket, fireworks and aeronautics, alongside a multitude of sketches, tracings and proofs of engravings. Ravilious' scrapbooks do not contain the mass of fascinating but disparate material, seen for example in similar volumes compiled by his great friend and artistic contemporary Edward Bawden. Rather, they document the considered progression of an inquisitive mind, grasping his chosen subjects in a unique and delicate visual language, where many of the artist's most famous motifs and images can be seen blossoming from embryonic stages. Bringing together over 170 images taken from the artist's 5 scrapbooks, accompanied by instructive commentary by the authors, this new book provides a fascinating record of the febrile imagination of one of Britain's best-loved artists.

Painter and illustrator Edward Bawden's five scrapbooks, assembled over a period of more than 55 years, contain everything from stamps, photographs, cigarette cards, Christmas cards and letters to newspaper cuttings, drawings and autographs, amongst other fascinating ephemera. Beautifully designed and illustrated with over 250 images taken from these books, Edward Bawden Scrapbooks reveals this wonderful and at times eccentric collection and provides a new insight into one of the most popular artists of 20th-century Britain. The pages illustrated provide an alternative window into Bawden's world, showing his very conscious awareness of both Surrealism and the work of other contemporary designers and typographers. But it is not only aficionados of Bawden who will be beguiled by these scrapbooks: perusing them is like trawling through an almanac of art, design and literature of the inter- and post-war years and the work of other key artists of the era such as Ben Nicholson, David Jones, Evelyn Dunbar, Eric Ravilious and Hugh Casson also appears. Some pages are beautiful, some instructive and others simply baffling but when taken in conjunction with Bawden's watercolours, prints, illustrations, murals and other designs, the scrapbooks are the closest thing we have to an autobiography of one of the 20th-century's most reclusive and English of artists.

This new title, with text by Peyton Skipwith and Brian Webb, contains more than 170 images, several not illustrated before. The book focuses on Ravilious as a designer, in particular his work as an illustrator and wood engraver, and his work in ceramics and textiles. The book builds on the success of the first and bestselling book in this series which featured the work of Ravilious and his friend Edward Bawden - Edward Bawden and Eric Ravilious: Design. This book will form an excellent and affordable introduction to the work of this brilliant and popular artist.

Life happens while making plans. When life suddenly turns tragic and nothing makes sense, how is one able to move forward? The dreams and ambitions once hoped for have now faded away. How is one to cope? What can one do? This is the story of Brian Webb, a recent college graduate, whose world is suddenly thrown into the storms of life...and survives. Suffering an intracranial hemorrhage, one week after graduation, Brian discovered a new lease for life. Recovering from the injury, Brian found a new appreciation and passion for what he lost and the strength to search for what is yet to come that will inspire the reader. The book Don't Give Up, Don't Ever Give Up, readers will find out what it may take to live life to the fullest. Once not putting any importance on anything, readers will see that Brian has a new appreciation for everything where at one point was taken for granted. Bills, unemployment, keeping up with the Jones do not really matter. Love is the answer. Love is all that matters. Live life. Live strong. Live your dreams. Everyone can be someone, just believe in yourself and the answers will come. Don't Give Up, Don't Ever Give Up, shows that everyone has the power to live life to their fullest no matter what obstacle, no matter what difficulty. Be strong, don't quit and never give up!

This book provides a comprehensive introduction to the evolving field of international planning studies. It is an essential resource that situates planning as an international discipline and practice with an important role to play in delivering sustainable development across different scales in diverse global contexts. A series of chapters covers past episodes of international influence and exchange in planning, key concepts, research strategies, methods in contemporary international planning studies, as well as ways of characterising and comparing planning systems. The authors explore the emergence of a global agenda for planning, through the activities and goal setting of international organisations, and professional and civil society networks. Transnational and cross-border contexts and initiatives in different global regions, and their relevance to planning, are investigated. An invaluable resource for students and researchers in planning studies, this book offers an important reflection on the internationalisation of planning practice, education, and scholarship, and the future prospects for planning and planning studies from an international perspective.